dumpling developments

How Chef Chris Cheung Tricked Out One of the World’s Most Classic Dumplings

Har gow? Har gow.

Chris Cheung has a way with dumplings. At East Wind Snack Shop in Windsor Terrace, he serves some of New York’s best. Filled with dry-aged beef, they’re shaped like hockey pucks, and pan-fried on top and bottom. It might sound unlike other dumplings you’ve tried, but Cheung’s tweaks tend to be subtle and informed by years of experience. That’s the case for what he calls his “incredible har gow,” which are unlike any other version you’ll see around town: seasoned with ginger, dressed with abalone sauce, and given a crunchy, completely unexpected — but much appreciated — crust. (Oh, and they’re also available gluten-free.)

A benchmark of dim sum, traditional har gow are made in a very specific way: a translucent tapioca and wheat skin hugs its shrimp-and-bamboo filling. They’re steamed until tender, require a lot of skill to make correctly, and don’t really vary (except in quality). In other words: Har gow are har gow. “I’m one of those people that originally thought that this dumpling should not be messed with,” explains Cheung, who says he turned to his uncle — who ran a Bayard Street teahouse in Chinatown — to learn the traditional recipe. “It was the first dish — when I decided to really chase Chinese food, or really immerse myself into Chinese cooking — that I learned.”

Cheung demonstrates the dough’s elasticity. Photo: Liz Clayman

Making the dumpling right is a challenge: “It’s not just a simply wrapped dumpling. It has to be as translucent as possible, it’s a very funny skin where it’s both skinny and slick, so it’s tough to work with,” the chef points out. Cheung first experimented with the filling. After trying different seasonings and grinding methods, he ended up keeping it traditional: ground then chopped, with the usual bamboo shoots plus ginger. “We stuck to the discipline of it,” he says.

Demonstrating his folding technique. Photo: Liz Clayman

East Wind is tiny, and has only one steamer, which posed a logistical challenge. This prompted Cheung to try pan-frying the har gow before steaming, a double-cooking method like Shanghainese sheng jian bao. “That dough has shown itself in other forms in dim sum houses where they have fried it or pan-fried it, but not har gow,” he says.

The tapioca batter is added using a squeeze bottle. Photo: Liz Clayman
After the batter crisps, water is added and the pan is covered with a lid to steam the dumpling. Photo: Liz Clayman

Cheung toyed with the frying to get the latticelike crust. (“It’s very easy to get that with cheese,” but he says, “I would never do that — add something foreign like that — to this.”) After finding that tapioca produced a “really nice, thin, lacy crust,” he had a happy kitchen accident when he added too much batter one day. “It had a nice crispy crunch, but also that gooeyness,” he says.

The final touch is some Lee Kum Kee abalone sauce, playfully zigzagged over the dumplings. Har gow usually go “straight from the steamer to the mouth,” Cheung says, so adding a dressing was another “weird moment.” But the flavor felt right, and its taste reminds him of the dried seafood snacks he ate as a kid in Chinatown.

Look at that crispy lattice. Photo: Liz Clayman

When you get your dumplings, you’ll see why Cheung doesn’t view them as anything but har gow. The ginger and sauce provide a boost of flavor, but the pure shrimp flavor isn’t lost. The skin is soft and slightly chewy, wrapped so tightly around the shrimp that they’re practically one. And that crust? It’s as gooey and crunchy as advertised, with the pleasing bounciness found in some yucca fritters. It’ll make you wonder why nobody thought to add it before.

Adding the abalone sauce. Photo: Liz Clayman
How Chef Chris Cheung Tricked Out a Classic Dumpling